SPRING FLING REVIEW
all videos taken by cjin4k
“With many flowers now out of hiding and the hue of the outside beginning to soften, there was no better way to usher in the arrival of the season of spring than a celebration from the Slum Children family, in collaboration with Social Lubricant. The 2023 Spring Fling Sessions, located in the Bed-Stuy Art House, acted as a hub for experienced and blossoming artists of all shades to express themselves, pick each other's brains, and witness pure excellence. The event was hosted by ShadowTiff, who almost instantly sparked excitement in the crowd and kept them on the edge of their seats. She especially echoed the most important aspect of these types of gatherings: to have fun and establish new bonds.
The musical performances of the day provided elements of Neo-Soul, Hip-Hop, R&B, and City Pop. Allison Soul, the opening act, told stories through her voice. Each powerful delivery of songs and effortless note changes felt like chapters in said stories that pushed and pulled at your spirit, possessing you to crave more. Next, there was Erika Prihadi, who guided the atmosphere into a slightly more upbeat vibe. With a sultry tone and delicate runs reminiscent of Janet Jackson, you couldn't help but lose breath at the sheer number of times she left you no choice but to gasp in awe.
Then there was Kenji, whose music and smooth vocals compelled you to sway left and right. Additionally, he ended his set with a guitar performance that felt like an audible representation of putting a cherry on top of an ice cream sundae. Afterwards, there was Isaiah Keaton, whose musical versatility and lyricality exuded the confidence and preciseness that showcased why his mind continues to lead Slum Children in a more influential position. The support of a live band while rapping is not a mainstream occurrence, but alas, he continues to push the needle forward.
Last but certainly not least, Stachy closed the string of performances with a passionate set that could unblock the 7 chakras of even the most unwilling. You weren't just hearing her dedication to her music; you were seeing it on her face.
It's also worth mentioning, however, that the display of the artistry of many didn't just come with the help of a microphone but also a paintbrush. The work of Isaiah Powell was spread across the interior, complimenting the performers but commanding curiosity all on its own. It's clear that what his brush does to an empty canvas is the equivalent of constructing a portal to another world. The world of Yosei, that is, considering his pieces in this event were largely inspired by his soon-to-come comic book series, Blu Metal.
All in all, entering events such as these sends you down a rabbit hole that has no necessary exit because everyone who attends gets some type of benefit. Such as meeting like-minded people or those who can help you further your own career interests, and vice versa. Or coming face-to-face with genres or styles of music you never thought you'd end up adding to your playlists. The pros are endless, and the only con is not being there to experience them.”
